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Frankenstein (1952, Don Medford)

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For a twenty minute and change live performance, Frankenstein could be a lot worse. Director Medford occasionally will find a good shot. Mary Alice Moore (as Elizabeth) is real good at the beginning and competent, if not quite good, at the end. Medford showcases her during her best parts.

As the mad doctor John Newland isn’t particularly good. He’s got a couple okay moments, but his hysterics get tiresome fast.

Screenwriter Henry Myers both updates the novel to modernity and cuts it way down. The last act is the characters trapped in the castle with the angry monster. It’s a neat idea, but can’t be executed with this budget.

And, as the Monster, Lon Chaney Jr. He tries really hard and he’s not good.

Amusingly, the whole reason the Monster goes bad–besides Newland being a terrible scientist–is a mean little kid.

Frankenstein’s odd and nearly worth seeing.

1/3Not Recommended

CREDITS

Directed by Don Medford; teleplay by Henry Myers, based on the novel by Mary Shelley; “Tales of Tomorrow” developed by George F. Foley Jr. and Mort Abrahams; produced by Foley; aired by the American Broadcasting Company.

Starring John Newland (Victor Frankenstein), Mary Alice Moore (Elizabeth), Michael Mann (William), Raymond Bramley (Elizabeth’s Father), Peggy Allenby (Elise the maid), Farrell Pelly (Matthew the butler) and Lon Chaney Jr. (The Monster).



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